interview
Paul Thompson
by A.M.

In his seven year professional career, British photographer Paul Thompson has gained wide recognition as a superb portrait shooter as well as for some slightly bizarre projects of his own. Specializing in advertising and people photography, he has also exhibited his work at the National Portrait Gallery. Scoute sat down with the man behind the lense to discuss his work.
 

Born in 1977, Thompson graduated from Newcastle in 1999, where he had studied Art and Graphics and later Photography. Following his studies he moved to London and assisted for several photographers, ending up as a full time assistant for David Stewart. During his 4-year period with Stewart he also kept building his own portfolio and soon started working on his own. Today with a handful of awards and many high-profile ad projects (think Mastercard, Philips, Barclays..) under his belt, Thompson continues his work at his studio in the heart of London's photography community.

What were your first interactions with photography and how did you end up being a professional?
My first interactions would have been while studying Art and Graphics I guess. I've always been interested in photography, I decided I didn't want to follow a career in the graphics/art direction so I went to my next love.

So after I studied Photography, it just went on from there. Moved to London, assisted, then became a professional photographer.
 
 

What kind of an effect has photography had on your everyday life?
I think photography has had a massive effect on everyday life. I'm always on the look out. In papers, magazines, films, outside with people sitting next to me on the tube (I get some funny looks for staring sometimes). You do find yourself always thinking about it.

So is it safe to assume you carry your camera everywhere?
Yes, I take a camera everywhere I go, although not always a professional one. Since my professional work is very considered, set up, so I prefer to just snap when I'm out and about. That can also generate ideas for future work.

What kind of a balance do you have between personal and professional work?
It's all about getting the balance right. I'm lucky in the sense that I get to work on interesting commisioned work but it's still never the same as personal work. You have to continue to do your own thing. Thats the reason I got into photography in the first place, not to follow layouts all the time. You also tend to get a lot of commisions through your personal work.

Speaking of comissions, you've done some pretty high-profile ad-shoots, what has been the most challenging one?
Possibly the Natural History Museum stuff. It had to look right, it could have very easily looked awful. I think it worked out.

What about your favourite shoot up to date?
Don't really have one, I've enjoyed different shoots for different reasons.

What about influences, what would you consider as your main ones?
Out of photographers, I love Richard Avedon and Diane Arbus. I spend a lot of time in art galleries too, I get influences from paintings, photography and films. Also, just everyday life, real people! London is great for that.

It certainly is! do you have any upcoming projects you're excited about?
I do have a few personal projects on the go, I'm always trying to move it on.

visit PaulThompsonStudio.com for more examples of his work

 

about     |    © 2008 scoute magazine. All rights reserved.